Sala Suggia
- The Return of Andreas Staier
- Remix Ensemble · Orquestra Barroca Casa da Música
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1st Part
Peter Rundel conducting
Gonçalo Gato nova obra para ensemble (estreia mundial; encomenda Casa da Música)
Johannes Maria Staud Auf die Stimme der weißen Kreide (Specter I-III)
2nd part
ORQUESTRA BARROCA CASA DA MÚSICA
Andreas Staier harpsichord and conducting
William Corbett Concerto “Alla Portugesa”, op.8 nº 7
Carlos Seixas Concerto para cravo em Sol menor
Domenico Scarlatti Três Sonatas para cravo (K.8, K.13 e K.173)
Carlos Seixas Concerto para cravo em Lá maior
Carlos Seixas was one of the first European composers to write concertos for harpsichord and string orchestra, even before he was able to hear other examples of the genre. Therefore, he was an innovator when it comes to concertante writing for keyboard instruments. It is with two concertos by Seixas that the prestigious harpsichordist Andreas Staier returns to Casa da Música, resuming a fertile collaboration with Orquestra Barroca. While he was on the Portuguese court, Domenico Scarlatti quickly recognized Seixas' talent. His sonatas are considered true jewels of the Baroque period, and Staier is one of their most acclaimed interpreters.
In this double concert, the journey through true gems from the eighteenth century is preceded by new music presented by Remix Ensemble. The Austrian Johannes Maria Staud was inspired by a surreal Josef Winkler's monologue to create a work that translates the fluctuations between anger and tenderness presented in the text. The piece that opens the concerto is an absolute debut, one of the pieces commissioned by Casa da Música to the Young Composer in Residence, Gonçalo Gato.
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Peter Rundel
Conductor
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Andreas Staier
harpsichord
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Gonçalo Gato
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Johannes Maria Staud
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William Corbett
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Carlos Seixas
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Domenico Scarlatti
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- Program notes
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- Download
- Program notes - Remix Ensemble & Orquestra Barroca Casa da Música - 04 Nov 2018
- PDF / 1.5Mb
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Obras de Gonçalo Gato, Johannes Maria Staud, William Corbett, Carlos Seixas e Domenico Scarlatti.
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